DORNINGER

Dorninger "Hisatsinom, über das Verschwinden"
code: base 0168
release date July 2001
format: CD/Digital duration: 60:00 minutes
style: techno, IDM. concept album about vanishing, electronic, natural instruments, ambient
label: base
digital distribution: Bandcamp
physical distribution: base shop

"Hisatsinom, über das Verschwinden" - the first part of a trilogy

"Hisatsinom, a piece about vanishing" consists of 10 interconnected parts.

Subject: The disappearance and transformation of cultural codes, demonstrated by the end of the culture of the Hisatsinom (Anasazi) in the Four Corners District (Utah, Colorado, New Mexico & Arizona). The pieces who are given titles like "The End of Chaco", "Synchronised Minds", "Relation, Etappe der Beliebigkeit" (= Relation, stage of interchangeability), "Kollektive Halluzination" (= collective halluzination) or "Silence" touch such themes as the synchronisation of the individual, the disposal of natural barriers or functionalism in music.

Music: The music mainly consists of electronic elements or electronically modulated natural instruments, accompanied by live-electronics, violin and singing.

Video: Two videos are projected on three screens, differing in material and surface. While in a kind of slideshow projection 1 is focusing on almost motionless extreme close-ups of organic material, projection 2/3 is showing text- and imageanimations (by Dietmar Bruckmayr) and piece related pictures.

More information on the Hisatsinom-project

Digital Downloads: iTunes / Deezer / Bandcamp

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DORNINGER "Hisatsinom, über das Verschwinden"

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Live at Linzfest - Martha Breit (Violin), Wolfgang Dorninger (Electronics, Visuals), Didi Bruckmayr (3-D)

Live at T.U.B.E. Munich, Germany - Martha Breit (Violin), Manuela Pfaffenberger (Vocals), Wolfgang Dorninger (Electronics, Visuals), Didi Bruckmayr (3-D)

Dorninger "Apatheia" from Wolfgang Dorninger on Vimeo.

Dorninger "Synchronized Minds" from Wolfgang Dorninger on Vimeo.