Sound Development City 2013: Open Call - Paticipe! Participate in my workshop, describe a sound of Lisbon.
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Workshop text2field-recordings
Austrian artist Wolfgang Dorninger (Linz, Au) creates the sound intervention text2field-recordings as part of the project Sound Development City. The sound material for the intervention will originate from a workshop, where field recordings revolving around the themes of nature and technology will be gathered. Subsequently, the recordings will be structured into “Sound Containers”, which reflect the sound patterns and systems of the respective cities. These containers form the basis for the intervention text2field-recordings, in which texts relating the “sound of the city” will be mixed into sound scapes.
The workshop is geared towards urbanists, architects, nerds and anyone interested in listening to their city with headphones and a microphone, exploring its sound while expanding their own aural competencies at the same time.
The workshop consists of three modules: listening, recording, and acoustic narration.
Schedule: (25 – 28 September, 2013)
Palácio Sinel de Cordes, Campo Santa Clara 142, 1100-474 Lisboa (junto da Feira da Ladra)
Day 1: 10:00 – 12:00 Listening
Day 1: 13:00 – 16:00 HowTo - Microphone and recording
Day 1: 20:00 – 24:00 Recording part I – Night recordings
Day 2: 12:00 – 16:00 Recording part II – Day recordings
Day 2: 20:00 – open end Group listening sessions of the recording
Day 3: 10:00 – open end Free microphone recordings and/or studio editing
Day 4: 21:00 – 23:00 Presentations
Requirements: no experience required, only active participation and genuine interest
Number of participants is limited!
Please register by 20.9.2013
Contact form: The registration is closed!
Participation in the program of day one is obligatory.
From day two onwards, flexible participation can be arranged upon agreement.
Wolfgang Dorninger (*1960, Linz) is the owner of experimental music label base, musician, and composer for theater and film, sound designer, sound artist and lecturer at the Art Academy Linz. Two oppositional approaches to sound dominate his work, which navigates the space between digital sound production and concrete atmospheric sound. The wide array of work spans instrumental space-sound installations, multi media performances, acoustic presentations and Techno.